ଅଭୀପ୍ସୁଗଣ,
UPSC ODIA OPTIONALନିମନ୍ତେ ଅନଲାଇନ କ୍ଲାସକୁ ସ୍ଵାଗତ । ଏହି ଶ୍ରେଣୀରେ ପାଠ୍ୟକ୍ରମର ପୁଙ୍ଖାନୁପୁଙ୍ଖ ଆଲୋଚନା ସହ ସନ୍ଦେହ ମୁକ୍ତି (Doubt clear), ପୂର୍ବ ପରୀକ୍ଷାଗୁଡ଼ିକର ପ୍ରଶ୍ନପତ୍ର ଆଲୋଚନା, ସମ୍ଭାବିତ ପ୍ରଶ୍ନୋତ୍ତର ଆଲୋଚନା ଉପରେ ବିଶେଷ ଗୁରୁତ୍ଵ ଦିଆଯାଉଛି । ସପ୍ତାହକୁ ଥରେ ପରୀକ୍ଷା ହେବାସହ ଲିଖନଶୈଳୀରେ ପରୀକ୍ଷାର୍ଥୀ ଉନ୍ନତିନିମନ୍ତେ ପ୍ରଶିକ୍ଷଣ ଦିଆଯିବ । Study Material ଏହି ପୋର୍ଟାଲରେ କ୍ଲାସସହ ସମତାଳରେ ପାଇପାରିବେ । ଏହି ସୁବିଧାଗୁଡ଼ିକୁ ପାଇବାନିମନ୍ତେ ଯଥାଶୀଘ୍ର ନିମ୍ନସ୍ଥ ଫର୍ମ ପୂରଣ କରନ୍ତୁ ।
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Course Features
- Lectures 103
- Quiz 0
- Duration 10 weeks
- Skill level All levels
- Students 27
- Assessments Self
- 29 Sections
- 103 Lessons
- 10 Weeks
Expand all sectionsCollapse all sections
- Important Instruction3
- PAPER-I- Section A- (I) Origin and development of Odia Language-Influence of Austric, Dravidian, Perso Arabic and English on Odia Language.13
- 2.1PAPER-I- Section A||a|| Origin of Odia Language
- 2.2PAPER-I- Section A||b|| Language of Abhilekha
- 2.3PAPER-I- Section A||c|| Language of Charjya Gitika
- 2.4PAPER-I- Section A||d|| Language of Ancient Odia prose
- 2.5PAPER-I- Section A||e|| Language of 15th century
- 2.6PAPER-I- Section A||f|| Language of Pancha Sakha
- 2.7PAPER-I- Section A||g|| Language of Riti Juga
- 2.8PAPER-I- Section A||h|| Language after Riti Juga
- 2.9PAPER-I- Section A||i|| Language of 19th Century
- 2.10PAPER-I- Section A||j|| Influence of Austric on Odia Language.
- 2.11PAPER-I- Section A||k|| Influence of Dravidian on Odia Language
- 2.12PAPER-I- Section A||l|| Influence of Perso Arabic on Odia Language.
- 2.13PAPER-I- Section A||m|| Influence of English on Odia Language.
- PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.3
- PAPER-I- Section A- (iii) Morphology: Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.5
- 4.1PAPER-I- Section A- (iii) video of Morphology
- 4.2PAPER-I- Section A- (iii) (a)Morphology
- 4.3PAPER-I- Section A||iii||b||Morphemes (free, bound, compound and complex)
- 4.4PAPER-I- Section A||iii||c|| derivational and inflectional affixes
- 4.5PAPER-I- Section A||iii||d|| Case inflection,conjugation of verb
- PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences.1
- PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism.2
- PAPER-I- Section A- (vi) Common errors in spellings, grammatical uses and construction of sentences.3
- PAPER-I- Section A- (vii) Regional variations in Odia Language (Western, Southern and Northern Odia) and Dialects (Bhatri and Desia).6
- 8.1PAPER-I- Section A- (vii)(a) Regional variations in Odia Language
- 8.2PAPER-I- Section A- (vii) (b)Western variations in Odia Language
- 8.3PAPER-I- Section A- (vii) (c)Southern variations in Odia Language
- 8.4PAPER-I- Section A- (vii) (d)Northern variations in Odia Language
- 8.5PAPER-I- Section A- (vii) (e)Bhatri Dialects
- 8.6PAPER-I- Section A- (vii) (f)Desia Dialects
- PAPER-I- Section B-(i) Historical backgrounds (social, cultural and political) of Odia Literature of different periods.14
- 9.1PAPER-I- Section B-(i) ||a||Different periods of Odia literature
- 9.2PAPER-I- Section B-(iii) (b)Prak Sarala age
- 9.3PAPER-I- Section B-(i) ||c|| Introduction of Sarala age
- 9.4PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period
- 9.5PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
- 9.6PAPER-I- Section B-(iii) (f) Cultural Background of Sarala Period
- 9.7PAPER-I- Section B-(iii) (g)Panchasakha age : An Introduction
- 9.8PAPER-I- Section B-(iii) (h)Political Background of Panchashakha Period
- 9.9PAPER-I- Section B-(iii) (i)Social Background of Panchashakha Period
- 9.10PAPER-I- Section B-(iii) (j) Cultural background of Panchasakha
- 9.11PAPER-I- Section B-(iii) (k)Introduction of Reeti Period
- 9.12PAPER-I- Section B-(iii) (l)Political Background of Reeti Period
- 9.13PAPER-I- Section B-(iii) (m)Social Background of Reeti Period
- 9.14PAPER-I- Section B-(iii) (n) cultural Background of Reeti Period
- PAPER-I- Section B-(ii) Ancient epics, ornate kavyas and padavalis.3
- PAPER-I- Section B-(iii) Typical structural forms of Odia Literature (Koili, Chautisa, Poi, Chaupadi, Champu).5
- 11.1PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
- 11.2PAPER-I- Section B||iii ||b || Typical structural forms of Odia Literature chautisha
- 11.3PAPER-I- Section B||iii ||c || Typical structural forms of Odia Literature chaupadi
- 11.4PAPER-I- Section B||iii ||d|| Typical structural forms of Odia Literature poi
- 11.5PAPER-I- Section B||iii ||e || Typical structural forms of Odia Literature champu
- PAPER-I- Section B-(iv) Modern trends in poetry, drama short story, novel essay and literary criticism.10
- 12.1PAPER-I- Section B-(iv) (a) Introduction of Mordenity
- 12.2PAPER-I- Section B-(iv) (b) Nava Jagarana
- 12.3PAPER-I- Section B-(iv) (c) Modern trends in poetry,
- 12.4PAPER-I- Section B-(iv) (d) Modern trends in Novels
- 12.5Effect of odia Journals on Odia literature
- 12.6Mordenism and Odia Prabandha
- 12.7mordenism and Odia Samalochana
- 12.8Mordenism and Odia drama
- 12.9Mordenism and Odia short story
- 12.10Uttara Adhunikata
- PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Shanti Parva from Mahābhārata.4
- PAPER-II- Section A- Poetry (Ancient)- 2. Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.3
- 14.1PAPER-II- Section A- Poetry (Ancient)-2||c|| Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
- 14.2PAPER-II- Section A- Poetry (Ancient)-2||d|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
- 14.3PAPER-II- Section A- Poetry (Ancient)-2||d|| Important Questions Jadu Avadhuta Sambãda.
- PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—(Chhãndas—16 & 34)3
- PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2).2
- PAPER-II- Section A- Poetry (Modern)- 5. Rãdhãnath Ray_Chandrabhagã.2
- PAPER-II- Section A- Poetry (Modern)-6. Māyādhar Mänasinha—Jeevan-Chitã.2
- PAPER-II- Section A- Poetry (Modern)-7. Sãtchidananda Routray-Kabitã—1962.2
- PAPER-II- Section A- Poetry (Modern)- 8. Ramãkãnta Ratha-Saptama Ritu.2
- PAPER-II- Section B- (Drama)- 9. Manoranjan Dãs-Kätha-Ghoda.2
- PAPER-II- Section B- (Drama)- 10. Bijay Mishra–Tata Niranjanä.2
- PAPER-II- Section B- (Novel)- 11. Fakir Mohan Senăpati-Chhamăna Athaguntha.2
- PAPER-II- Section B- (Novel)-12. Gopinãth Mohãnty—Dãnãpani.2
- PAPER-II- Section B- (Short Storyl)-13. Surendra Mohãnty-Marãlara Mrityu.2
- PAPER-II- Section B- (Short Storyl) 14. Manoj Dãs—Laxmira Abhisára.2
- 2
- PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).2
- Exam0
