ଅଭୀପ୍ସୁଗଣ,
OPSC Civil Services Odia Optional September Batch ନିମନ୍ତେ ଅନଲାଇନ କ୍ଲାସକୁ ସ୍ଵାଗତ । ଏହି ଶ୍ରେଣୀରେ ପାଠ୍ୟକ୍ରମର ପୁଙ୍ଖାନୁପୁଙ୍ଖ ଆଲୋଚନା ସହ ସନ୍ଦେହ ମୁକ୍ତି (Doubt clear), ପୂର୍ବ ପରୀକ୍ଷାଗୁଡ଼ିକର ପ୍ରଶ୍ନପତ୍ର ଆଲୋଚନା, ସମ୍ଭାବିତ ପ୍ରଶ୍ନୋତ୍ତର ଆଲୋଚନା ଉପରେ ବିଶେଷ ଗୁରୁତ୍ଵ ଦିଆଯାଉଛି । ସପ୍ତାହକୁ ଥରେ ପରୀକ୍ଷା ହେବାସହ ଲିଖନଶୈଳୀରେ ପରୀକ୍ଷାର୍ଥୀ ଉନ୍ନତିନିମନ୍ତେ ପ୍ରଶିକ୍ଷଣ ଦିଆଯିବ ।ଏହି ସୁବିଧାଗୁଡ଼ିକୁ ପାଇବାନିମନ୍ତେ ଯଥାଶୀଘ୍ର ନିମ୍ନସ୍ଥ ଫର୍ମ ପୂରଣ କରନ୍ତୁ ।
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Course Features
- Lectures 78
- Quiz 0
- Duration Lifetime access
- Skill level All levels
- Students 33
- Assessments Self
- 28 Sections
- 78 Lessons
- Lifetime
Expand all sectionsCollapse all sections
- Important InformationVideo call link: https://meet.google.com/usa-bvhz-twb2
- PAPER-I- Section A- (I) Origin and development of Odia Language-Influence of Austric, Dravidian, Perso Arabic and English on Odia Language.13
- 4.1PAPER-I- Section A||a|| Origin of Odia Language
- 4.2PAPER-I- Section A||d|| Language of Ancient Odia prose
- 4.3PAPER-I- Section A||b|| Language of Abhilekha
- 4.4PAPER-I- Section A||c|| Language of Charjya Gitika
- 4.5PAPER-I- Section A||e|| Language of 15th century
- 4.6PAPER-I- Section A||e|| Language of 16th century
- 4.7PAPER-I- Section A||g|| Language of Riti Juga
- 4.8PAPER-I- Section A||h|| Language after Riti Juga
- 4.9PAPER-I- Section A||i|| Language of 19th Century
- 4.10PAPER-I- Section A||j|| Influence of Austric on Odia Language.
- 4.11PAPER-I- Section A||k|| Influence of Dravidian on Odia Language
- 4.12PAPER-I- Section A||m|| Influence of English on Odia Language.
- 4.13PAPER-I- Section A||l|| Influence of Perso Arabic on Odia Language.
- 0
- PAPER-I- Section A- (iii) Morphology: Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.1
- PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences.2
- PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism.2
- PAPER-I- Section A- (vi) Common errors in spellings, grammatical uses and construction of sentences.2
- 0
- PAPER-I- Section B-(i) Historical backgrounds (social, cultural and political) of Odia Literature of different periods.14
- 11.1PAPER-I- Section B-(i) (a) Different periods of Odia literature
- 11.2PAPER-I- Section B-(iii) (b)Prak Sarala age
- 11.3PAPER-I- Section B-(iii) (c)Introduction of Sarala period
- 11.4PAPER-I- Section B-(iii) (d) Political Background of Sarala Period
- 11.5PAPER-I- Section B-(iii) (e) Social Background of Sarala Period
- 11.6PAPER-I- Section B-(iii) (f) Cultural Background of Sarala Period
- 11.7PAPER-I- Section B-(iii) (g)Panchasakha age : An Introduction
- 11.8PAPER-I- Section B-(iii) (h)Political Background of Panchashakha Period
- 11.9PAPER-I- Section B-(iii) (i)Social Background of Panchashakha Period
- 11.10PAPER-I- Section B-(iii) (j)Cultural Background of Panchashakha Period1
- 11.11PAPER-I- Section B-(iii) (k)Introduction of Reeti Period
- 11.12PAPER-I- Section B-(iii) (l)Political Background of Reeti Period
- 11.13PAPER-I- Section B-(iii) (m)Social Background of Reeti Period
- 11.14PAPER-I- Section B-(iii) (n) cultural Background of Reeti Period
- PAPER-I- Section B-(ii) Ancient epics, ornate kavyas and padavalis.3
- PAPER-I- Section B-(iii) Typical structural forms of Odia Literature (Koili, Chautisa, Poi, Chaupadi, Champu).5
- 13.1PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
- 13.2PAPER-I- Section B||iii ||b|| Typical structural forms of Odia Literature (Chautisa)
- 13.3PAPER-I- Section B||iii ||c|| Typical structural forms of Odia Literature chaupadi
- 13.4PAPER-I- Section B||iii ||d|| Typical structural forms of Odia Literature poi
- 13.5PAPER-I- Section B||iii ||e|| Typical structural forms of Odia Literature champu
- PAPER-I- Section B-(iv) Modern trends in poetry, drama short story, novel essay and literary criticism.8
- 14.0PAPER-I- Section B-(iv) (a) Introduction of Mordenity
- 14.1PAPER-I- Section B-(iv) (b) Nava Jagarana
- 14.2PAPER-I- Section B-(iv) (c) Modern trends in poetry,
- 14.3PAPER-I- Section B-(iv) (d) Modern trends in Novels
- 14.4Modernism and Odia Short story
- 14.5Modernism and Odia Essay
- 14.6Mordenism and Odia drama
- 14.7mordenism and Odia Samalochana
- PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.3
- PAPER-II- Section A- Poetry (Ancient)- 2. Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.3
- PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—(Chhãndas—16 & 34)3
- PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2).2
- PAPER-II- Section A- Poetry (Modern)- 5. Rãdhãnath Ray_5. Rãdhãnath Ray_Chilika1
- PAPER-II- Section A- Poetry (Modern)-6. Māyādhar Mänasinha— mahanadi re jyotsna vihara1
- PAPER-II- Section A- Poetry (Modern)-7. . Sãtchidananda Routray-Baji Routray1
- PAPER-II- Section A- Poetry (Modern)- 8. Ramãkãnta Ratha-Saptama Ritu.1
- PAPER-II- Section B- (Drama)- 9. Manoranjan Dãs-Klanta Prajapati1
- PAPER-II- Section B- (Drama)- 10. Bijay Mishra–Tata Niranjanä.2
- PAPER-II- Section B- (Novel)- 11. Fakir Mohan Senăpati-Chhamăna Athaguntha.2
- PAPER-II- Section B- (Novel)-12. Gopinãth Mohãnty—Dãnãpani.2
- PAPER-II- Section B- (Short Storyl)-13. Surendra Mohãnty-Marãlara Mrityu.1
- PAPER-II- Section B- (Short Storyl) 14. Manoj Dãs—Laxmira Abhisára.1
- PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).1
- PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).1
